MIAMI, FL – Popcorn Frights Film Festival, Florida’s largest and most respected genre film event, announces its first wave of programming for its third annual celebration of genre-twisting cinema, occurring August 11 through 17, 2017, at Miami’s landmark O Cinema Wynwood theater.

The new CGI animated Resident Evil film RESIDENT EVIL: VENDETTA will be hitting theaters as a one night only event on June 19th. There will be showings at 10pm at a multitude of theaters. We are giving away a pair of tickets to a screening as well over on our instagram page, so read on for more details!

October, every horror fan’s favorite month of the year. An entire month dedicated to finding the spookiest things to do and entertain ourselves with. Whether it’s planning horror marathons, purchasing horror and Halloween merchandise, carving pumpkins, or visiting haunted houses and attractions, every year more and more events take place in the month of October to capitalize on the season. This past year I lucked out and it just so happened that I was traveling back to NYC for the final week of October while the FEARnyc horror film festival was in full swing. On the same night I was due to arrive back in the city they would be premiering a film I had been keeping track of for a while, that film was Dead Awake.  Rather than doing just a traditional review, I decided it would be fun and different to look back on the fun night out I had going to see the film.

Hailing from London, Anthony Hickox started out as a club promoter, but found himself writing and directing his first feature film after arriving in Los Angles in the late 80’s. It is said that Tony met producer Staffan Ahrenberg after crashing into his car. Tony talked Staffan into accepting a script as payment for the damage and Waxwork was born three days later. Eventually, the film found it’s way to a studio and it is now credited as one of the first self referential horror films. Hickox would then go on to make Waxwork II: Lost in Time, Warlock: Armageddon, and Hellraiser 3: Hell on Earth just to name a few.

Stop me if you’ve heard this one before. Horror movies are “getting deep”. It might as well be the new “Horror is dead” given the number of times I’ve seen that headline or some version of it over the last few days in the wake of the release of Jordan Peele’s directorial debut, Get Out. The mainstream media, including some film sites that I love very deeply, seem convinced that horror is this mindless, bloody form of entertainment and that it took a maven from outside the schlock system to come in and shake things up and give it some meaning, damn it.