NOW AVAILABLE: LA GARÇONNE - AS DAYS GO BY



The day has finally arrived as TrueHorror Music's first release is here. As Days Go By from La Garçonne is now available to purchase in two forms. The first and best way is to grab one our beautiful limited edition purple cassettes which also conveniently includes a free digital download code for the full album. This limited edition is a run of 50 and they are already close to half way gone via pre-orders. So snag one while you can if interested.


Grab the limited edition cassette HERE

You can also simply purchase the album digitally via a variety of outlets such as our preferred BANDCAMP , Amazon and of course iTunes. Follow any of those links and you can sample the album as well as be able to grab the album instantly. 

You can also sample the album by watching the video below

La Garçonne is the solo project of Whistler, Canada based singer-songwriter/producer Ranya Dube. Armed with a macbook pro and a neon lit right brain, Dube creates moody electro-pop laced with new wave, post-punk and synth pop influences perfect for night time listening.


To Ranya, La Garçonne is a passion project that fell into the right hands and landed her a spot on the soundtrack to the acclaimed 2014 horror film, Starry Eyes which features the second single we released entitled Zebra Kids . To our newly launched label, La Garçonne is a diamond in the rough and inspired us to start this music label in the first place. The first single "I'm On Punch" garnered much praise and kind words as it was premiered on Baeble Music where they wrote "If "I'm On Punch had been released in 2011 when Nicholas Wending Refn's cult classic "Drive", had been released, it's easy to hear it being all over the film's glossy 80's sheen soundtrack"  









We couldn't be more excited about welcoming Ranya into the TrueHorror.net family and feel it is a perfect place for her and her music. To see just why we feel this way you can check out our in depth interview with her HERE . In it we discuss everything from life to music and of course her undying love of the horror genre which helped make her a natural fit as the flagship artist for our newly minted TrueHorror Music imprint.

To help launch the release we have a video of the albums title track AS DAYS GO BY created by Ranya Dube, Stella Gardiner and Emily-Jane Robinson with makeup by Elin Dannecker.


LA GARÇONNE - AS DAYS GO BY from Ranya Dube on Vimeo.

We really hope you all check the album out and hope you discover just why we felt so compelled to take a chance on this artist and go forth with this project.

TrueHorror Music: La Garçonne - Zebra Kids


TrueHorror Music proudly presents the second single "Zebra Kids" from the upcoming debut album "As Days Go By" by La Garçonne.  Zebra Kids was the song that started it all for this project between La Garçonne and TrueHorror.net. It was upon first hearing this track in the background of the acclaimed horror film "Starry Eyes" (directed by Dennis Widmyer and Kevin Kölsch), that prompted us to do a bit of digging to find out more about this song and the artist that created it. We listened to it non stop and eventually contacted La Garçonne herself and got the wheels rolling from there. The track provides a melodic yet bouncy, dream like soundscape thats perfect for late night lounging. Listen for yourself below! and also check out our write up on Starry Eyes here




As Days Go By releases on 5/26/2015 and is now available for pre-order digitally and as a limited edition purple cassette (digi download included) You can pre-order them at the following links below.

Limited Edition Cassette Pre Order
Digital Pre Order


Listen to the previously released first single "I'm On Punch" below.

TrueHorror Music: An Interview with La Garçonne


So yes, we started an independent record label, TrueHorror Music is now a reality. Our first release "As Days Go By" by La Garçonne is not what one would call "horror music" so we have often been asked "What does any of this have to do with horror?" Which is a reasonable question, but beyond the fact that the label, which is an extension of our site, was never intended to strictly be "horror themed" music. However that doesn't mean our first release doesnt have it's own ties to the horror genre. 

It was while watching the horror film Starry Eyes that her music first caught my ear, afterwards being the music lover I am, I did some research which eventually led me to contacting her and listening to more music which had a wonderful new wave, night time listening vibe that I love, it was after listening to it over and over again that the decision to launch this label was made, with the intent that the music of La Garçonne aka Ranya Dube, would be our first release. Which as it all turned out was the perfect project and the perfect person to deal with in our first venture. I have had alot of fun getting to know her while we put this project together and wanted to ask her a few questions so that you the potential listeners could get a better feel for just who it is putting together this amazing music that inspired us to take a chance. 


One concern I had when approaching her about this project was the fact that while her music had just been featured on the soundtrack to an acclaimed horror film, I wondered how she would feel about having all her music be associated with a horror based website/company. As it turns she out was more than okay with it. 

TH: Being a horror website and a record label titled "TrueHorror Music" what made you comfortable about being involved with us as your music isn't necessarily horror themed music? 

LG: As a kid, horror movies were all I watched! I still remember going to the video store with my older cousin Shelly, they had a massive horror section and we would rent 3 or 4 films every weekend until we made our way through every VHS box on those shelves. I am so inspired by the 80's, and our generation watched those films all when they were brand new and at some point in time everyone was scared of Freddy, Jason or Michael. These days when you see photos of them or the cover art for those old VHS tapes, it helps place you at that point in time to when the horror genre was so huge and every new film was like an event. Obviously horror is still huge, but I will always have a great deal of love for those older films and how they scared me. To this day those are still the ones that scare me the most. So your site being based on horror was cool with me since I am a horror fan and have so many fond memories involving the genre. It didn't feel odd to me at all moreso like a good fit!

TH: Being that you are a big horror fan what are some of your favorite horror films?

LG: All of the Halloween films, Friday the 13th specifically 6, 7 & 8, Pet Sematary, Cujo, A Nightmare on Elm Street especially 3 & 4. I also love American Werewolf in London andthe original Piranha. I could go on and on as we literally would watch whatever we could get our hands on, but those I named would be the ones I love most. 

TH: We will get back to the horror stuff momentarily as I obviously find it interesting and I know our readers will as well, but can you tell us some more about your music background? What are some of your earliest memories of getting into music?

LG: When I was about 3 years old, my dad gave me a huge bag full of 45's and I am pretty certain that is when my obsession began. I remember in my early years listening to KISS and ABBA religiously until my grandparents got Heart of Glass by Blondie on vinyl. It immediately became my favorite song and the rest is history. I would say though the album I listened to the most in my life is Appetite For Destruction by Guns n Roses. I always wanted to be a Black Sabbath type band but when I was living in England everyone loved Oasis so I just ended up making synth music instead. I love synth music too but I always thought I would be comfortable on stage rocking out. 

TH: The songs on "As Days Go By" have a very 80's new wave electro feel, can you tell us a bit about what led you to the creation of the music found on the album?

LG: A long time ago I tried to figure out what music meant to me and what I needed it to be in my life. I knew I needed to be making music so I played in bands that werent doing what I wanted to be doing until one day, I met my friend Paul. He was the first person I played with where what we made sounded good to me. I started my first band Villa Cola with him and he taught me alot about engineering and how to record things. We tried to play live but we weren't very good because we were both very shy and as it turned out didn't like people watching us. Our band eventually fell apart becayse we realized we were making music for all the wrong reasons and it left me in a really weird place. Since I was a bit down at that point. I just started playing music for the sake of playing music. I didn't go out much and just lived in a bubble where I would just sit with headphones for hours at a time, writing tons of songs, some I actually finished and these are the ones which are being released on the album. 

TH: The album has a very 80's new wave feel, could you explain why you went that route when creating it all? 

LG: It mostly sounds 80's because of what I had access to while making it. To make guitar music you need pedals and all sorts of expensive equipment. It sounds 80's but when I start a song I just start it with a beat or a melody and just add on from there. Since I use a computer, it really dictates my sound so it's not always planned the way it eventually turns out, for me it is definitely a bit of a spontaneous process when it comes to creating the actual song. I if I had more equipment I could probably hone my sound to be more specific to how I initially hear it in my head, but it never turns out that way, though I think that describes alot of creative mediums really. As far as the 80's sound goes, when I write, I go through all the snyth sounds and then layer them until I get the feeling that I am looking for so that I can sing over it. I also love reverb which gives it the more lo-fi feeling. I have always said I am not the biggest fan of modern production so with what I have done, it's just turned out sounding 80's due to my methods and tools. 

TH: Having discussed this with you before, while it's clear you are obviously very passionate about music and have a knack for it, you are also very much into video and film now, how did that come about and what are you working on now? 

LG: A while back I made a few music videos with my friend Emily for my first band, then I decided to edit a short film for a friend which showed me the other side of editing which to me is the hardest part of making a film. Over the next couple of years I worked as a DP, producer, camera assistant/focus puller and did more editing. I also made some music videos for myself with my other friend Stella, most so I could learn more technical things like using a green screen and advanced editing techniques.  Finally I worked on my first feature and that was when I realized that I actually dont want to work on other people's stories which was a good feeling in a sense that I had always aksed myself what I wanted to do with my life and that really helped me figure that out. 

TH: Getting back to the horror side of things, what are your thoughts between music and film, especially in horror films? 

LG: Music for me will make or break a film. I'm pretty extreme when it comes to this stuff though because if I don't like the music they've chosen for a film, I will stop watching something immediately but when music is used properly, it will elevate a film to the next level. It really dictates how we feel when we are watching something. Horror films are scary in a lot of ways because of the music. If you watch it on mute, it will more than likely not be anywhere near as scary or effective. 

TH: What would you say is your favorite music from a horror film?

LG: Well to me it's more of a sound effect but the signature percussive sound and breathing effect in the Friday the 13th films (ki ki ki or kill kill kill ha ha ha) As soon as your hear it, you know Jason is coming and it's going to be disasterous when he shows up. We used to play the Nintendo Friday the 13th video game all the time as kids and I love the music on there as well!

TH: Your music has been featured in horror films, most recently Starry Eyes, how did you feel about this and why do you feel that your music fits in the horror genre in some way. 

LG: Thats a good question, I am not totally sure but I guess it might have to do with the fact that when I write my songs, I am thinking about movies or scenes in my head, so perhaps this quality comes through in them? Also there is the DIY aspect of it. Most of those films are made out of passion and not because of huge budgets from studios creating a product. My songs are the same so maybe thats why they go well together? Another of my songs will be appearing in the upcoming film
The Demolisher , it's director Gabriel Carrer put me in touch with the producer of Starry Eyes so I owe alot ot him as well. 

TH: While you are focused on the other side of the lens now, would you ever consider filming or scoring your own horror film? 

LG: Absolutely! scoring one would be pretty cool for sure. If I made my own horror film it would be more psychological like a Starry Eyes as opposed to a slasher. David Fincher is one of  my biggest influences so something like "Seven" would be more my style. Perhaps it's not exactly horror but it would have that grim vibe that I find frightening.

TH: We know now you are all about the classic horror films we all love, but what are some of the newer horror films you have enjoyed? 

LG: I don't know if I would classify these as pure horror but I am a big fan of Guillermo Del Toro and his group of director proteges. Stuff like Pan's Labrynth and The Orphanage creeps me out. On a personal note I thought Starry Eyes was brilliant when you think of how small their budget was and that they were able to make something that was so much better than alot of stuff coming out of Hollywood. Off hand I also really enjoyed Let The Right One In, Drag Me to Hell and The Descent a great deal. 

TH: So getting back to your music before we close this out, how does it feel to see your music collected in cassette form? 

LG: It feels actually insane to me that in 2015, this has happened to me. As a kid my cousin and I used to take advantage of a loop hole in the old Colombia House's "get 12 tapes for a penny" deals. We amassed huge collections of tapes. So my headphones were permanently glued to my ears throughout those years, So this tape means a great deal to me and I hope whoever finds one in their possession gets that same great feeling they used to have when they would listen to a new tape for the first time way back when.

La Garçonne - As Days Go By is now available for pre-order digitally and in limited edition purple cassette. Release Date is May 26th. 










The Insidious Experience: An Interview with Leigh Whannell




Insidious has gone from a small low budget horror film to a full blown horror franchise powerhouse. The little horror movie that could came out of nowhere and ended up being a huge hit, becoming the most profitable film of 2011 while earning a total of 97 million dollars off of it's reported $1.5 million budget. Insidious delivered a fresh take on the haunted house genre by crafting a story which combined the best of the genres concepts and blended them with new ideas and an artistic eye. Upon the huge success of the first a second film "Insidious Chapter 2" was quickly put into production and would continue the story of the first as well as adding new story elements via flashback sequences which served to flesh out the characters history. Both films delivered plenty of creepy imagery and sequences and I clearly remember the first film scaring the hell out of my crowd, causing many to scream, jump and others just to sink into their chair covering their eyes. It was great time and I myself remember finding it to be one of the best new horror films in recent years. I am a huge fan of creepy films that give you chills and Insidious did just that anchored by it's strong cast of characters. I was excited when the second film was announced and it too picked up right where the first left off. The same combination of spooky fun and eerie set pieces was here and for the most part just as effective. The franchise has certainly divided audiences, it's PG-13 rating warding off the hardcore gorehounds who feel there is no place for yet another ghost related film in the world, while there are others who enjoy the care and effort put into these films and find the suspense and creepy scenarios to hit all the right notes. Such is the world of horror fandom. Still the films remain in the hands of those who truly care about it and are not simply "hired guns" cashing a check. That is one of the aspects I respected about it, it was a passion project for it's creators and I personally feel it shows in the final product and for me that makes all the difference in the world.



 Fast forward to 2015 and we are nearing the release of the latest chapter in the Insidious Saga, Chapter 3. This time in place of his partner James Wan is series co-creator and star Leigh Whannell. This will be Whannell's first time directing after years in the film industry as an actor, writer and producer on a number of films from Saw to Dead Silence and of course the Insidious series. Yesterday I was lucky enough to be invited to a special press event for the "Insidious Chapter 3 - Into the Further 4D experience (more about that in a bit) as part of the films promotional tour. As part of that, I was able to sit down with Leigh himself for a quick interview. It was all very last minute and I wish I had more time to formulate my questions prior, however I did get to ask him the majority of stuff I had prepared which he was more than happy to answer. You can watch the interview below.


As you can tell from the video, Whannell is a very humorous and easy going, down to earth person who is extremely passionate about horror and film. That passion is sure to extend itself to this supernatural world he has helped create and these characters that inhabit it. It is also apparent that he was very excited at the ida of reteaming with actress Lin Shaye who plays Elise, to get to tell more of her story and what she has gone through. It is when hearing him discuss her involvement and what her character will be tasked with here that I really started to anticpate seeing this new film and seeing what they have in store for her and audiences alike. I knew I would only have a few minutes to speak with him and naturally the more questions he answered the more that popped into my head that I wouldn't be able to ask. There is one however that I do regret not being able to ask and I was kicking myself after because I had thought of it earlier in the day as well. I would have asked him with James Wan having been the visual force behind the first two, how does he intend to put his own stamp on the franchise and this universe from a directors standpoint. It is one of the things I am most looking forward to seeing, just how does this film differentiate itself from the others while still being part of the same story in a sense.

UPDATE: Luckily, Whannell was kind enough to check out this article and took the time out to answer this unasked question via twitter. I can't thank him enough for this because by doing so he has stopped me from continually kicking myself forever for forgetting to ask it in the first place.



So there you have it, he definitely will be putting his own twist on the films visuals and I am looking forward to seeing how his visual influences come into play on screen. Listening to Whannell speak about his characters and horror in general even for a short while, I have no doubt that he is up to the task and I am rooting for him to succeed and deliver a new and creepy experience for audience to fear.


Now speaking of creepy experience, the other part of the day involved what you see in the photo above, that is one of the two trailers that house "The Further 4D Experience". Fans of the series know that the "The Further" is the name of ghostly otherworld populated by the lingering spirits of the dead. As part of the films promotional campaign Focus Features is inviting you into that world via what is best described as part haunt, part virtual reality experience. The Haunt part is similar to your traditional haunted house many visit during October, once you enter. You are in a dimly lit hallway featuring props and set design that match the film. My favorite item being the bizarre gas mask wearing, wooden mannequin seen in Elise's basement in part 2.


After you are greeted by your host at the end of the Hallway, you have to make your way through another short corridor till you reach another very dimly lit small room, you enter and sit down in a chair, it is hear that you will make use of Oculus Rift headset which is a fancy name for REALLY good virtual reality headgear. Once you place this on securely you are instantly transported to the living room of Elise's house and she is there with you. Actress Lin Shaye filmed all new material for this I imagine, and as she speaks to you warning you of dangers abound, you can freely turn your head looking around the room and up at the ceiling and you feel as if you are truly in this space. Inanimate objects move around the room, you see shadows in the windows, you feel a draft or something gently brushing against your shoulder, then it starts to get extremely creepy. I won't spoil it here in case any of you will be attending one of these, but I can say without a doubt that this is the closest I have ever felt to being in an actual horror movie. A haunt is one thing and those are awesome fun and can be scary as well, but this is a totally immersive experience where special effects come to life before your eyes, you feel as if you are in the movie and it's awesome. My only gripe would be that it is too short even if I understand the concept of time constraints and budgets. I had never used the Oculus Rift technology prior to this event and it was extremely impressive, I can imagine it not working for all things they have been applied to, but for Insidious where you literally are just sitting in someones living room it all feels very natural.


The Further 4D experience is a free exhibition that will be traveling.to major cities within the next month leading up to the films release. It doesn't take more than 15 minutes tops to complete the entire walk through, but it was still a very enjoyable time. I can't recommend someone to drive for an hour to go to this unless you are A. really bored and/or the more likely B. just want something different and unique to do that won't be around long and can be your first fun stop during a night out. For that I can definitely recommend it as it is definitely very cool just not something that will take up your night. Overall I truly had a fun time with all of this. It was really cool to be able to meet and interview Leigh Whannell, I enjoyed talking with the different friendly people from Focus Features such as Kirstin and Ryan discussing movies, horror and other related topics. In addition I also got to meet some other new like minded people while waiting to go into the experience itself. All of this has easily helped heighten my anticipation for the next chapter in the Insidious Saga and much kudos go to Focus and everyone involved with the Insidious franchise that helped put this all together at no charge to us, the visitors, Nothing wrong with promoting the film while offering us the fans a fun way to experience what it feels like to be trapped within the mysterious Further.

They also tweet these photos out to you after you exit, pretty cool.

If you are interested in attending I would suggest tweeting to @InsidiousMovie for passes the closer you get to event hitting your town.

OR

use the contact option at the following link
http://www.eventbrite.com/e/insidious-chapter-3-into-the-further-4d-experience-tickets-16444051601

Review: IT FOLLOWS


It Follows has been garnering heaps of heavy praise since it started hitting the festival circuits. I know I was anticipating it after watching the international teaser trailer, loved the tone it provided while not giving away anything. After seeing that, I was sold on the film and skipped any further trailers or clips that studios love to pump out in order to sell their movie by essentially spoiling the entire thing. So just as I always try to do, I went in knowing as little as possible and it paid off. 
It Follows is the horror film I hoped it would be. 


Written and directed by David Robert Mitchell, It Follows tells the story of Jay, a pretty young girl played by Maika Monroe (The Guest) who comes to find out that after a sexual encounter gone awry with her new boyfriend, an apparent supernatural evil has begun following her. Without getting into too much spoiler territory, Jay and her friends (all well casted with actors who feel as if they are real teens with real personalities) must try to figure out how to stay alive while avoiding the relentless titular "It". I can understand that it sounds pretty straight forward but there are many levels at play here and it is because of the care it is handled with that elevate it into something special and frightening. 


To best describe It Follows, I need to ask you to think of those nightmares that feel incredibly real while you are having them. Yet there are certain details and locations that are skewed just enough so you are aware that whats happening is not quite reality, which in turn make things even creepier. In that nightmare you rarely ever feel like you have control and are essentially at the mercy of your subconscious. Those are the nightmares you eventually force yourself to wake up from to escape, and then you realize that it's only around 4am and you are wishing it were already daylight. Watching It Follows is like witnessing someone elses nightmare unfold on the movie screen right before your eyes. That impression of the film ended up making a great deal of sense after reading that the entire thing is in fact inspired by a nightmare the director had where he was constantly followed by a relentless shapeshifting being. The film also skews it's own reality in a very subtle way as it's time period is never defined and full of contradictions in a sense as the tv's in the houses are vintage black and white sets, while one of the kids in the movie uses some sort of sea shell shaped e-reader while Jay herself has an old corded telephone in a bedroom that looks like something straight out of the 80's. It is a interesting production design choice that adds to the disorienting dream like nature of the film. In fact the entire film is beautifully shot in a sort of cold and hazy visual style that sets the mood perfectly and that mood is one of impending doom and overbearing dread. Mitchell utilizes the bleak landscapes and grey skys of his hometown Detroit to great effect as a backdrop for his story to unfold.  


That story on the surface is a metaphor for the dangers of sex, and how the decisions you make involving it can follow you for the rest of your life, however on a deeper level it's a story about coming to grips with ones mortality and the fear that death can be around the corner at any tme. These kids in the film are only just about to get into their 20's and already lamenting the loss of yesteryear back when they were just careless children having fun. It may not exactly resonate with everyone at the moment, but it certainly hit home for me. Death is coming for everyone at some point, and it is coming for these characters, they are constantly looking over their shoulders. In every frame you feel "It" getting closer and closer, you share in their uneasiness, even when it isn't on screen it's presence is felt. One presence that is not felt in the film, is that of the parents. Just like Nancy's drunk mother from "A Nightmare on Elm Street" or Laurie Strode's absentee parents in "Halloween" , the parents here are largely missing from the proceedings, which only helps to underscore how in over their heads these kids are. However that helps to keep the threat and horror much more personal and intimate. This is a story ultimately about youth, coming of age and realizing actions have consequences and in this case create literal demons that will haunt you for the rest of your life. 


Speaking of presence, one that cannot be overlooked and is certainly a highlight of the film is the incredible score by Rich Vreeland aka Disasterpeace. Just as John Carpenter once stated that Halloween was not effective nor frightening until he added his now iconic score, It Follows would not be nearly as effective a horror film if it weren't for the soundscape crafted by Vreeland. If watching the film is like viewing someone's nightmare, hearing the score is akin to listening to one. It amplifies that aforementioned sense of dread to chilling effect. From the moment we are introduced to it by way of the films chilling opening sequence, it truly captures your attention and doesn't let go. Pulsating synths, sparse piano keys, pounding basslines, among other sounds creep in and out of the film just as It Follows shapeshifting antagonist does. The score is best described as a mix between vintage Carpenter and Rob's more recent Maniac score, it's  also sprinkled with a healthy amount of it's own horrific touches that make it one of the best in recent years. Vreeland's music coupled with Mitchell's visuals perfectly compliment eachother to cement the nightmarish world presented to us. 


In the end It Follows turned out to be the type of horror film I love. It isn't perfect but delivers an extremely creepy moviegoing experience that remains fresh and original even while harking back to the fright films of our youth. It's cast delivers solid perfomances creating believable characters who sell the horror of their harrowing predicament. While there is little gore, it isn't needed here as It Follows establishes it's horror with mood and atmosphere and when all is said and done more than likely you will be thinking about it just like that recurring nightmare that leaves you shaken and uneasy within the dark. 


















CABRINI-GREEN : THE TRUE HORROR OF CANDYMAN



"Be my victim."

In 1992 director Bernard Rose adapted a short novella by Clive Barker entitled "The Forbidden" into a big screen horror film. That film would become Candyman. It starred Virginia Madsen as Helen Lyle, a Chicago Grad Student doing a thesis on urban legends,  and Tony Todd in a career defining role as the titular boogeyman. The following year it hit home video and my friends and I (probably in our final year of Junior High at the time) finally got around to seeing it. I still remember going over to my buddy Joey's apartment on a Saturday night, his dad, Bruce had rented it for us to watch (Thanks Bruce). I still remember the "ooooh shit" moment we both had as soon as the opening credits started playing and Philip Glass' brilliantly haunting score began to blare out of the surround sound. We knew were in for something frightening and different. Turns out, it was one of the scariest movies we had seen in a long time. We were a group of kids who were always watching horror films, renting whatever we could from the video store or staying up late watching Joe Bob Briggs or movie channels hoping for a new horror flick to show up. So we were not newcomers to horror and didn't particularly scare easy. Candyman scared us, it scared our other friends when they watched it, it scared alot of people. 


Over the years since it's release it has garnered heaps of praise and is regarded as a classic. It has found itself in my personal top 3 horror films and more than likely won't be moved from there at this point. I originally intended to write this article as a normal retrospective of the film and my experience with it, however that ended up kind of boring to me and was not letting me talk about the part of the film I always found the most fascinating and frightening. As most will know by now Candyman revolves around the story of Helen Lyle who is researching urban legend, particulalry the growing number of tales she is hearing from interviewees about the mythical figure of Candyman (the hook wielding ghost of Daniel Robitaille, a black man who was murdered in an act of racism during the civil war era ) The stories hook (no pun intended) was that if you look in a mirror and say his name 5 times, he will appear behind you. So it's basically the classic "bloody Mary" legend with a twist. Now Candyman as stated before was a frightening film, Tony Todd's portrayal of the ghostly figure was as perfect a performance as you will see. He played him with a gentlemanly quality and always spoke to his soon to be victims in a poetic dialogue, right before he would split them from "groin to gullet" with his large rusty hook jammed into the stump where his hand used to be. The film is full of creepy imagery, well earned scares, superb gore and overall extremely well put together. Still rather than go into detail about the film, recap and dissect it which I originally intended to do, I decided to talk about the thing that gives the film it's truly unique take on the old boogeyman story, it's location, the infamous Cabrini-Green housing projects of Chicago. 


"An entire community starts attributing the daily horrors of their lives to a mythical figure" 

One of the boldest choices by director Bernard Rose was setting his film in Cabrini-Green. For so long horror had been relegated to the old mansions, backwoods towns and of course the suburbs. 1988's Child's Play also set it's story in urban Chicago, including some of the more downtrodden parts of the city, still the majority of it takes place in the middle class confines of the Barclay family apartment. Candyman on the other hand brought supernatural horror to the ghetto and did so with the blight of the area being an integral part of the story. It's mythology was firmly rooted in the projects and it's director was adamant that it was important to set it in Cabrini-Green, regardless of the obvious obstacles and dangers of shooting in such an area. The Cabrini presented in Candyman is far different from the one J.J. Dynamite Evans and family called home on the classic t.v. show "Good Times". The films story starts out with Helen being told the story of a murder that occurred in Cabrini, where a woman named Ruthie Jean was killed by someone who came through the walls in her apartment. When Helen and research partner Bernadette head to Cabrini to investigate they are initially "greeted" by gang members (who were actual real gang members given parts in the film to ensure their cooperation and the safety of the production crew) eventually eluding them and making their way up to the apartment where the murder occurred, the residents all seem to blame the murder on The Candyman. Helen and Bernadette soon meet Ruthie Jeans neighbor Anne-Marie McCoy who proceeds to tell them the story of what happened from her point of view. Ann-Marie is a stark contrast to the Gang Members whom they encountered in the lobby area. I bring these points up for two reasons, the first and most important being that while the general belief exists that these areas in real life are populated with nothing more than dangerous criminals, the actual truth is that there are plenty of good people in the community just trying to live their lives and raise their children safely among the crime. Ann-Marie makes this clear to Helen and also states how Ruthie Jean called for help yet no police came till it was too late, she then adds "Everybody is scared, he could come right through these walls you know, I'm scared, scared for my child...they ain't never gonna catch him.." "Who?" Helen asks. "Candyman."


The reason I bring up that portion of the story first is because the entire Anne-Marie McCoy/ Ruthie Jean tale in which the movie builds a large part of its story around is inspired by an actual case that occurred in Chicago's Grace Abbot housing projects. The horrific true story of Ruthie Mae McCoy (see the similarities?) is one that I came across while researching the film online. Upon reading up on it, it becomes clear this is where the movie makers drew their inspiration/concepts for the Ruthie Jean/Candyman murders set up of the film. While I didn't know about the true story till 22 years after the film was released, nonetheless it's chilling stuff. On April 22nd, 1987, Between 8:45 and 9:00 pm, Ruthie Mae McCoy was shot and killed by someone who gained access to her apartment via the passageway behind her medicine cabinet. It would take police a day and a half to enter her apartment to discover her body. The in depth news article I read detailing the crime and it's aftermath entitled "They Came In Through The Bathroom Mirror" was written by Chicago writer Steve Bogira in 1987. It is a fascinating piece that details the horrors of the Chicago Housing Authority properties. He also wrote a follow-up regarding Candyman and its similarities to his article along with his conversations with Illinois native John Malkovich that may or may not have lead to the film being green lit. I highly recommend reading the full article because it is as fascinating as it is sad. While judging on his follow up article I get the impression Steve was not a fan of the film and also seemed to feel it exploited the people of the projects living situations, while there certainly is a bit of merit to that sentiment,  I personally feel otherwise and respectfully disagree. Nonetheless without Bogira article perhaps no one would know Ruthie Mae McCoys story and perhaps Candyman would be a far different film than what we have come to know. Director Bernard Rose has always been adamant about his desire to give his film social undertones and bring light to real life issues through the horror. In a 1992 article in Fangoria magazine entitled "Demons of the Mind" he stated "My element of social criticism asks how people can be expected to live in squalor, because the housing authority has allowed Cabrini Green to rot instead of trying to maintain it." Growing up in New York City, I have been to my fair share of housing projects in my life, some good, some bad. Some I felt perfectly comfortable in, others I knew it was probably better if I didn't hang around after it got dark. Cabrini-Green by all accounts from reading and speaking to friends from Chicago was a place that there was absolutely no reason to go near.


"I'm not trying to scare you Helen, I just want you to think okay? The gangs hold this whole neighborhood hostage."

While the tragic Ruthie Mae McCoy murder took place at the Grace Abbot housing project, it's film counterpart was set amid the ominous concrete towers of Cabrini-Green. Star Virgina Madsen who grew up in Chicago stated "Growing up here, I knew all about Cabrini-Green, you didn't even drive by there, let alone enter on foot."  In the film Helen (Madsen) discovers the hard way that initially it was a leader of a Cabrini based gang called the Overlords using the well known name of the mythical figure to cause fear throughout the neighborhood. By committing a series of seemingly mysterious murders in his name, such as Ruthie Jean's and that of a young boy, leaving his calling written calling card "Sweets to the Sweet" on  the walls where he committed the acts, he lead the residents to believe these crimes were committed by a supernatural being rather than man of flesh and blood. Helen being attacked by this man and left for dead eventually leads to his arrest, thus proving to residents that there was no Candyman and their belief of him begins to dwindle, prompting the REAL Candyman to prove his doubters wrong. While the gang culture in the film is touched upon often and part of the story, it is still a movie about a ghost, a monster, a boogeyman. However when it comes to the reality of this real life location, its reputation precedes it. In a 1992 interview Candyman himself Tony Todd had this to say about some of his experience filming in such a notorious area "I tried to come there with no expectations, but I still felt fear. Anybody who didn't belong there was subject to Danger. The Cops told me to keep my eyes on the rooftops for snipers, and then I ran into a woman and her two children, they were hustling back from the grocery store before it got too dark, and thought the film security people were cops, she asked us when we were going to clean the projects up, which really got to me." This exchange stands out for many reasons, but the two that pertain to this article are 1. The area is known for being extremely dangerous and 2. The woman knows it is and still has no choice but to live there. This is also illustrated in the film by the characters of Anne Marie as well as the young boy Jake who befriends Helen early on in the film. Good people stuck in a bad situation trying to make the best of it. That was sadly a reality for many residents of Cabrini-Green. It truly was Hell on earth. Gangs did in fact hold the area hostage, The "Gangster Disciples" or "GD's" were the dominant gang in the area and they are the same gang members who can be seen in the film, throwing up signs in the scene where Helen and Bernadette first arrive at Cabrini. The same gang that as stated before had to be put in the film as extras in order to be "allowed" to film there and assure the crews safety, and while there were no incidents with the cast and crew, there is the well known anecdote of one of the aforementioned snipers putting a bullet through the crews van. 



Cabrini-Green had become so dangerous in it's later years that at times police could not even respond to calls, the buildings became what were essentially fortresses for the gangs. Benard Rose stated "It's not a safe place, it's a place that police did not have control over" As seen throughout the film, the walkways for the towers on each floor were covered with a steel fencing, closing off the previously open aired areas, this was done initially as a safety precaution but unfortunately lead to it being used as cover for snipers and became a hindrance to police trying to access the buildings but would be unable to see who might be standing armed in those areas who occupied vacant apartments, tearing down walls in order to have an escape route whenever police did do their raids. The good people who resided in Cabrini received little assistance from the Chicago Housing Authority. What you saw in the film, the sparse playing fields,and graffiti laden hallways were only the tip of the iceberg. Broken windows, lights, clogged trash chutes went unattended for months at a time. Some stairwells were even pitch black due to the lights being broken while elevators in those same buildings were out of service. 

photo by Matt Tuteur
Murders sadly had become common place in this area, whether it was related to the gangs that called Cabrini home or others who saw the wild west nature of the property as an opportunity to do wrong. It just became a normal occurrence. Officers annually closed the streets to Cabrini on New Years Eve to keep any traffic out of the area as gangs would take to the streets firing their weapons any and every direction in a blatant display of disregard for the law. One of the most saddening occurrences was the accidental shooting of Dantrell Davis. He was 7 year old boy shot and killed by a gang member from one of the high rises who was aiming for a rival gang member. Dantrell Davis was holding his mothers hand as they walked to school when it happened. His tragic death would become one of the main factors over the neighborhoods lifespan that finally caused the city to take action. 


In 1997, 5 years after Candyman would bring the area it's most widespread notoriety, the city came out with a plan for redeveloping the neighborhood that would spell the end for Cabrini-Green. Many tenants were relocated throughout the city and the surrounding area was being rebuilt as a mixed income community. The last Cabrini-Green high rise was demolished on March 30th of 2011. Many of it's former residents who were not involved in the gangs and drugs have good things to say despite the horrific living conditions and dangers Cabrini presented to them on a daily basis. Proof that life is what you make it. Many good people certainly resided here, in fact I would be confident in guessing MORE good people than bad resided in Cabrini, however the influential power of the bad unfortunately outweighed the good. Still the good people spoke of friendships discovered and memories made. Even some who were affected by tragedy and crime still spoke fondly of it and did not want to leave. It was their home, their community and many of those people had bonded amid the hardships and had plenty of enjoyable times. No gang could change that. 

photo by Marc Poekempner
I remember after the film came out everyone now knew about Cabrini-Green, I remember in our old neighborhood we had an apartment building with an entirely boarded up, burned out floor, of course being kids, we eventually gained access to this floor and constantly drew comparisons to the burnt out apartment Helen and Bernadette enter to investigate the Ruthie Jane murder. It was scary for us to enter that hallway, not knowing what was in it, I remember there being talk of someone spray painting the Candyman face and "sweets to the sweet" on the walls, I also dont remember if I actually ever saw them or just pictured them via peoples stories, but everyone in the neighborhood would call that building Cabrini-Green for a while because of that floor, that stayed that way for years. While we knew it wasn't anywhere close to being the dangerous place Cabrini was, it was still an example of the influence Candyman had on people at the time. For years Cabrini-Green was synonymous with a danger and crime. While the rest of the United States along with Chicago had other housing projects reported to be just as dangerous or at times worse such as the Robert Taylor homes and the ABLA houses, they weren't put on display in a popular movie that we watched over and over again throughout our lives. 


Bring up the name Cabrini Green to horror fans and chances are they know exactly what you are talking about. However, chances are they don't know much more beyond what the movie showed, I took interest for whatever reason and wanted to find out more and wouldn't say I was shocked by how a prominent city such as Chicago could let such a large community turn into a war zone as much as I was just morbidly intrigued by the horrifying nature of it all. Gone forever are the looming towers where lives were lived, ended and lost. The residents have all moved on with their lives no doubt with the memories of Cabrini-Green etched into their minds. Candyman now serves as a bit of a time capsule for them as well as us. It's become one of those all time horror films that introduced the world to a now classic horror character. Still most people who have seen the movie won't ever know that the neighborhood was demolished. They won't know how severe the situation was while the gangs essentially held the neighborhoods hostage. Nor will they ever know the true stories of Ruthie Mae McCoy or Dantrell Davis. While the hook wielding spirit of Candyman is fictitious, The horrors and ghosts left behind by Cabrini-Green are all too real.

photo by David Schalliol



Blood, Babes and Boogeymen: Holly Will Make You Appreciate Life


As you may have noticed from checking out this site one of my favorite people to collaborate with is my good friend Holly. She has always been willing to jump into any projects I come up with for her and is always a blast to work with. She is a huge reason for the success of this site and helped me launch it in grand style with our  "Wanna Play?"  photo set, which to this day is a big fan favorite and still our most viewed set on the site. We followed that up with our popular "Movie Night" shoot. It was ultimately a no brainer to entrust Holly with TrueHorror.net's flagship character, our original female slasher bearing her name in our faux film project  "Carved"   (of which there will be a sequel later this year!)  So with all that being said, It seemed like a good time to go back to our first photoshoot together. The Billy the Puppet inspired Saw themed shoot we just about did 3 years ago. prior to the relaunch of this version of the site. It was this photoset that really cemented the fact I wanted to focus much more on photography and creating these images. It was a fun experience to first work with Holly, she was very patient and kept up a good sense of humor throughout which I find is always important during a shoot. I will say these to this day might possibly be my favorite shots I have done and also have to thank Natalie for doing a amazing job on Holly's makeup. Everything came together to create striking images that I never tired of looking at. 


My favorite photo from this set is the one seen above. It was the first photo I did that turned out exactly as I had envisioned it in my head. It was such a thrill seeing it realized and it received so many compliments upon initially sharing it that it made me really begin to trust in my ability to create these images. So I definitely see this set as a springboard for the everything that has followed. I cannot thank Holly enough for putting her trust in me with this one and glad that I could deliver.


The obvious thought here was to do a sexy version of Billy the Puppet's outfit from the Saw movies matched with a grungy setting that is so pervasive in those films. Having Holly sit on the tricycle for such a long time was not the easiest thing for her to do, but she never complained once and in retrospect,  I don't think there is any other model who could have fit on it and make it work. The green layer of texture just helped to add to the look seen in the films. 



I hope you guys enjoy revisiting these images again, as I am happy to give them some new life and some much deserved attention. After all they never had a dedicated post on the site till now. I am excited about the new projects Holly and I have been planning and can't wait to share them with you all, still till the time is right, hopefully all the previous images we have created will tide you over till then.


One more cool thing was that I got to actually share these a while back with Saw creator James Wan who was kind enough to approve. 



Below is a bonus outtake I always loved, I just really dig her expression. along with a random behind the scenes shot.















A Deeper Look into STARRY EYES


"Dreams require sacrifice...and so do they."



Truth be told, other than seeing it's superb retro styled poster by Jay Shaw (pictured above), I knew absolutely nothing else about Starry Eyes other than "girl trying to make it in Hollywood and things go bad" prior to my first viewing. I will always stand by the opinion that the best way to watch a film is to go in knowing as little about it as possible. I generally always prefer teaser trailers over full trailers, especially for the smaller films which sometimes have to bank on their money shots to help sell to an audience that is already skeptical when it comes to lower budgeted projects. I mention this because while Starry Eyes slipped under my radar somehow, that fact though definitely added to the excitement of finally getting to watch it. Starry Eyes ended up being my favorite horror film of 2014. However that is not to say I came to this conclusion instantly. Upon that first viewing I definitely liked it, and plenty of things that caused it to become the years favorite were there, but I really wasn't sure how much I liked it. Still it turned out to be one of those films that sticks with you long after you watch it which made me eager to revisit it. After the second viewing I knew that it would end up being in the tops for the year, then when time came to make our best of year list, it ended up coming out on top along with The Guest. The Guest certainly has horror roots and themes but for me isn't truly a horror film. That left Starry Eyes at the top for me. What I want to do here is highlight some of the reasons this film struck a chord with me because I feel it is a film worth talking about. 

Please be warned that there are Major Spoilers below which I normally hate to do however in order to fully discuss the merits of this film in the depth I want to it is necessary. I highly recommend watching the film first before reading on. 


1. The Performance by Alex Essoe as Sarah


Starry Eyes tells the story of Sarah Walker, a determined yet struggling actress who has been doing her best to juggle her day job at "Big Taters" fast food restaurant and the demands of chasing her dream of becoming a star in the cutthroat world of Hollywood. Sarah gets more than she bargained for when she auditions for a role in a horror film being produced by the fictional Astraeus Pictures. As you can guess things don't go as she hoped, in more ways than one. So as with any film, it is only as good as it's lead, Alex Essoe (who has done minor roles here and there as far as I can tell from researching online) breathes life into a character who in hands of a lesser actress, could have been very one dimensional and nowhere near as compelling. What's interesting is one of the biggest compliments I can give to Alex's performance is her willingness to fully physically transform herself in order to give the role what it requires. That directly mirrors the dilemma faced by her character Sarah in the film. Do all that is asked of you to land a star making role, regardless of the suffering that comes with it. Not all actresses would sacrifice their vanity for a role, yet here Essoe willingly undergoes the transformation from her own model-esque beauty to a deteriorating almost rotting corpse motif, the makeup FX Essoe endures here is borderline Brundle Fly levels of grotesqueness. While her receptiveness to the physical makeup aspect of the role is extremely impressive, it would be nothing without the wide range of emotions she has on display here. She runs the full gamut of emotions throughout the film, Paranoia, Insecurity, Sickness, Fear, Pain, Horror, Anger, Sorrow are all touched upon and it is in the subtle moments of emotion throughout the film that Essoe shines brightest. While Starry Eyes is well written throughout, without Alex's star making turn here, this film would be nowhere near as successful in telling it's story as it is. Just as her character Sarah does in the film, Alex Essoe gives her everything to a role in a horror film and comes out of it as one of Hollywood's most promising new talents. 

2. The Struggle is real. 

By now we have all seen plenty of films about "The Struggle". The Struggling artist, the struggling musician, the struggling athlete and of course we have had more than enough of the struggling actor trying to make it in Hollywood. Still none have ever felt quite as authentic as Starry Eyes does. I can't claim to be an expert or know the acting struggle first hand. However I have spoken with more than a few people who live in L.A. and Hollywood and all have stated that this nails what it is like to be one in a sea of thousands trying to "live the dream". What Starry Eyes writer/directors Kevin Kolsch and Dennis Widmyer have done here is not only give us an insightful look at what aspiring actors and filmmakers go through on a daily basis ( or not go through depending on how hard they hit the pavement) but they have also delivered a very smart commentary on the very nature of the film industry and how it prays upon the desires of those wishing to be a part of it. I could probably write an entire article about just this aspect of the film and how it sheds light on the darker side of show business. The entire angle of selling your soul to make it in Hollywood is addressed  literally and figuratively here. To someone just watching the movie without really paying attention they may not pick up on the metaphorical comparison between the two. It is this comparison that should be so obvious yet it is handled so well here that it is never TOO obvious or eye roll inducing. It works. It takes the whole concept to a place that is as horrific and outlandish as it is brutally honest and real. Remove the supernatural and horror elements and the film works just as well as a compelling cautionary tale. Still it is those supernatural and horror elements that make Starry Eyes so much fun, well fun might not be the best word, because this brings us to our next point. 

3. Oh The Horror. 

While the pacing of Starry Eyes may not be everyone's cup of tea, it's slower approach to building to it's climax serves it well. By the time it goes full on horror film it pulls no punches. I've likened it to another one of my favorites, Ti West's "House of the Devil" in that regard.Extreme gorehounds may be turned off by the fact it takes long to get to the gore bits, but everyone else should be satisfied with what is presented here. Starry Eyes is first and foremost a body horror film, and Sarah's horrific transformation is as gruesome as they come. On first watch it definitely left me wincing. The makeup by SOTA FX that highlights Sarah's deterioration/Transformation is superbly executed and visually disturbing. Anyone who has ever laid in bed while sick and has said to themselves "oh man I'm dying" will instantly relate. I personally can recall far too many times in my life where a flu put me on the bathroom floor for the night in full despair, this is the horror version of that feeling. While it wears its body horror on its sleeve, the film also features a very well orchestrated slasher-esque home invasion scene where Sarah unleashes carnage upon her so called friends. I know I stated there would be spoilers in this article, but this is one part I refuse to elaborate on because the impact of it would be lessened, just know the blood flows in impressive fashion here and everyone who HAS seen the film knows exactly what I am referring to. It's a grim and brutal sequence of events to say the least, I only wish it went on for a bit longer. As mentioned before Starry Eyes touches on a myriad of moral themes throughout, and its horror themes are no different as it is home to psychological, body, supernatural, ritualistic and slasher horror elements. All of these come together naturally due to the well told story making Starry Eyes a very versatile horror film with something that will assuredly get beneath the viewers skin. 

4. The Music of Johnathan Snipes


Anyone that knows me knows I love horror scores and always have. Ever since I was a kid and my dad would make me horror music mixtapes for Halloween featuring tracks from such films as Halloween, Nightmare on Elm Street, and others I have been heavy films scores. Horror films have always been tied to their scores, more so i'd say than any other type of film. A good score elevates it, a bad one can ruin it. In the last few years movies such as Maniac, Under the Skin and The Guest benefited greatly from their sonic counterparts. Starry Eyes is no different. Johnathan Snipes provides a synth heavy score with a touch of child like wonder that fits like a glove. It is the heartbeat of the film and adds a layer that a more traditional score would not have achieved. In listening to the commentary the directors stated they originally wanted to go with a more orchestral score and Johnathan convinced them to go with his concept of less traditional music. I am an admitted synth music addict so I am glad they decided to trust him. Everyone I have spoken to about the film comments on the merits of the music. I remember being excited as soon as I heard that synth first creep into the film and build from there on out. I can't imagine Starry Eyes with a different score and I am glad I don't have to. Waxwork Records seemed to feel the same as they'll be releasing the score on vinyl soon enough. Snipes music is once again proof of how important a score is to a horror film in enhancing it's themes and atmosphere. It is a truly great experience when the two perfectly compliment each other. Starry Eyes soundscape matches it's rather stylish look perfectly.


5. It's got the look. 



I am a big believer that style in a film goes a long way, you absolutely have to have substance, but just as music can elevate a film, a sense of style can take it to new heights. Looking back at my list of best horror films of 2014, The Remake/Sequel of "The Town That Dreaded Sundown" made that list based mostly for it's stylish visuals and creative shots. Superficial? maybe, but hey it's my list and I'm a sucker for some style.  I have already discussed Starry Eyes other merits such as the story and acting, when those are in place, you have a solid picture already, when you add to that a layer of finishing touches that visually help tell your story, you have something special. Starry Eyes has a gloomy look to it, that fits the mood of the film perfectly. It's stylish and feels slightly retroish (that can't be a word) at times but still has a very natural lit look to it. Hollywood and California are generally portrayed in films as the sunny paradise of every actors dreams, however here the bleakness of the characters reality is reflected by the ominous clouds and dark stormy skies above Los Angeles. You really never get a sunny sky in the film until the end when things...well, change for Sarah and thats the point. Every visual in the film was thought out and taken into account so that it reflected the story as well as just for a lack of better terminology, looked really cool. 

For more on the look of Starry Eyes I would recommend checking out this really solid interview with the films cinematographer Adam Bricker over at Deep Fried Movies where he details alot of the process and techniques used to achieve the look of the film. 



In the end Starry Eyes had plenty going for it across the board. I always enjoy when a film catches me by surprise to take a spot in my favorites, and now Starry Eyes has joined the ranks of  the movies I will tell everyone to watch when they ask for a recommendation. I look forward to watching it with friends who haven't seen it yet just to see their reactions and be able to discuss it afterwards. It sticks with you and keeps you thinking about it long after you've watched it and that is always the sign of a great horror film.